Kungaba ukuphakama kokunganaki ukuqhathanisa amakhono wezobuchwepheshe zamandla amakhulu amabili emkhakheni wokukhiqizwa kwefilimu, ngakho-ke umgomo oyinhloko wokunquma ukufaneleka kobuciko be-cinema yaseMelika neSoviet kungcono kakhulu kunqunywe ukulingana ngokomzwelo wethonya layo kumbukeli. Noma ngabe yini ongayisho, ngeke ugcwalise imiphumela yezobuchwepheshe noma yekhompyutha, futhi uma ususa ingxenye yomsindo kulabo abathandekayo be-blockbusters baseMelika njengo, uthi, i-Titanic noma i-Avatar, ungabuka kuphela umbukiso wempumelelo yomkhakha wezobuchwepheshe wamazwe amabili , enye yayo ephansi kakhulu kule nkampani.
Isici esiyinhloko se-Hollywood cinema sisalokhu singakaze sibhekane namanani abantu, njengothando, ubungane, ukwethembeka, ukuthanda izwe, njll. Thatha umfanekiso ohlangene we-protagonist wefilimu yendabuko yaseMelika: i-shirt elula-engamangaleli kwezombangazwe, ithanda abesifazane, izinja ezishisayo futhi ilungele ukuchoboza izinsizwa zabantu ababi, ikakhulukazi abafuduka bevela emazweni omhlaba wesithathu, kusukela ekuseni kuze kuhlwe. Ukubeka iqhawe elinjalo esimweni esithile sokuphila, umqondisi ngezindlela ezilula ze-cinematographic kukho konke okusemandleni azama "ukubuthelela" ohlelweni lwamagugu aseMelika, ngaphandle kokungena ezinjengoba "ukubonakaliswa kokwazi" noma "inkulumo engaphakathi". Esikrinini, umbukeli waseMelika kufanele abone ukunyakaza kwezinyathelo ezilula, okuhlangene nengqikithi eqondakalayo, okumele iphela ngokuphela kokujabula lapho i-villain enkulu ishabalaka khona ekuhluphekeni okukhulu, izindawo eziyisikhombisa kanye nezakhamuzi zisindiswa futhi konke lokhu kuphelela emibinini yokuqinisekisa impilo ngokulingana okuthile. Lokhu kungukuthi, ngokusho komkhuba wendabuko we-Hollywood cinema, okunye okuhlukile, ngenxa yesabelomali sesithombe kanye nesilinganiso se talenta yalokhu noma lowo mqondisi.
I-Soviet non-ideological uhlobo lwe-cinema, elinganiselwe emisebenzini yobuchwepheshe, ithonya umbukeli ngezinye izindlela. Wake wacabanga ukuthi kungani sibona amafilimu ahluke ngokuphelele kulesi siqeshana nhlobo, njengokuthi "Ukuzizwa kwekusasa ...", "Ukuhlwa okuyisihlanu" noma, ake sithi, "Khrustalev, Machine!" Herman? Yonke into elula: ukuhlanganiswa kokubona kwe-cinema yaseSoviet kungabhekwa njengokwakheka kwe-genetic code ekhethekile, eyakhiwe ngaphansi kwethonya lomlando ocebile nokuveza ngokungajwayelekile ulimi lwesiRussia. Thina, bonke labo abazohlala eSoviet futhi behlala endaweni yaseSoviet, kungakhathaliseki ukuthi bahlala kuphi, inkolo nobulili, bazizwa izici ezijwayelekile zomuntu waseRussia ebuhlungu. I-cinema yaseSoviet ibonakala ngathi hhayi ngezindinganiso zemvelo ezingokwemvelo, okuyinto, ngenxa yezici ezikhethekile zesistimu kahulumeni, yayihlala njalo ishushiswa, futhi ngezici eziyisibili, izici ze-archaic ezivela esimisweni seSlavic sokubona kwezwe. Vumelana ukuthi kunzima ukucabanga ukuthi i-American Lukashin, ophuza i-whisky nabangani bakhe, waxuba umbuso wakhe ne-Alabama nezwe laseNevada, lapho izindlu ezijwayelekile zinezindlu zokuhlala zakhiwa, iminyango yayo ingavuleka ngokhiye wayo. Ngivele ngithule ngokungabikho kokuqashiswa okubanzi kuma-American expanses abanjalo abaqotho nalabo abasondelene kakhulu nezinhliziyo zethu ezidlala amahlaya ama-comedy Gaidai noma uDanelia, kanye nezinkinga eziyinkimbinkimbi kodwa imidwebo yaseRussia kuphela edutshulwe iTarkovsky noma iSokurov.
Kodwa-ke, eminyakeni yethu yokubumbana kwezwe jikelele kanye ne-polyphony enambithekayo kuyoba yiziphukuphuku ukuphikisa lezi zikole ezimbili zefilimu. Kokubili i-Hollywood cinema kanye neSoviet endala, okwenza ngokuvumelana nemithetho efanayo, inika ngamunye wethu, kungakhathaliseki ukuthi ubuzwe, inkolelo engalindelekile yenjabulo, futhi lokhu cishe yilapho kuphela sonke sifuna ukukhohliswa.